The kids in the hall are back - but is theatrical comedy coming too?  |  CBC News

The kids in the hall are back – but is theatrical comedy coming too? | CBC News

Nearly 27 years since it was all over, and in the same place I started 11 years ago, the kids in the hall felt it was the perfect time to start the journey all over again.

They (well, four of the Five Questioners, Kevin McDonald’s, the absentees) were together at the Rivoli Theatre, a comedy mainstay in Toronto, the group showing their first sketches in 1984.

Standing shoulder to shoulder onstage, having managed to cram a few hundred jubilant fans through one of the most volatile and bizarre times of sketch comedy in the history of the genre, they couldn’t have chosen the best moment to do so.

Among their jokes, they were mostly directed at themselves (“We’re terrified of the way we look,” Scott Thompson said early in the night. “Like, who opened the gate at the elderly people’s house?”) They were there to celebrate the launch of a new TV show. For the sketch comedy – their first endeavor on the small screen since the original self-titled series ended in April 1995.

But despite the time – and the absence of McDonald’s that night – this was not a meeting of the children.

They went on to write together and perform live together—whatever the group had originally intended, until they stumbled, unexpectedly and inadvertently, into the world of television, a journey outlined in their documentary. Children in the Hall: Comedy Villains, which launched May 20 on Amazon Prime.

From left, Scott Thompson, Mark McKinney, McCulloch and Foley appear at an event promoting children in the auditorium, which is back after a 27-year hiatus, with a new season starting May 13 on Amazon Prime. (Michael Charles Cole/CBC)

According to “cute” Dave Foley for the kids, they stayed together because their drawing group worked the way drawing groups were always supposed to.

The Kids in the Hall gave its members space to flex their comedic muscles, a group of like-minded comedians to echo ideas, and a reason to keep making comedy even when jobs aren’t around — a particularly important part of the equation recently, as theatrical comedy has gone through a boom and depression.

“In our heads, whenever we’re together, we still feel like those, sort of, bad guys in our twenties,” he said. “you know?”

“I think it kind of broke, but I think it’s coming back,” Thompson added of the world of painting. “And I hope we can be a part of it.”

This collapse and subsequent resurgence not only derails the trajectory of sketch comedy for successful groups like The Kids in the Hall that helped define it, but it fundamentally changes the comedy we consume — and how comedians arrive in the industry.

Watch | Dave Foley says the kids’ approach to comedy hasn’t changed:

The children are back in the hall in their prime

The kids in the hall, Dave Foley, say the band is making comedy for themselves, but they hope the broadcast generation will love it.

The ‘Golden Ages’ of Comedy Comedy

Nick Marks, associate professor of film and media studies at Colorado State University and author of the book, explained: Sketch Comedy: Identity, Reflexology, and American Television.

The first happened in the 80s and 90s, when soap operas were like Children in the hallAnd Mr. ShowAnd Ben Stiller Show And in live color Sketch demonstrated the ability of Sketch to appeal to a television audience, and established its format as relying on at least a semi-regular cast, establishing it as a pipeline in the comedy industry.

But that all changed with YouTube.

“This golden age of comedy that I defined in the ’90s largely leads us to the end of television’s heyday as the dominant type of entertainment,” Marks said. “Once YouTube comes out, it becomes something else.”

When sites like YouTube offer an audience platform directly, without the need for a broadcaster, they allow anyone with internet access to find an audience.

And while Marx said that enhanced other mediums, it’s also very fraught and overwhelmed with schematic diagramming.

“The rise of social media and YouTube has made it difficult for the new official comedians to hack and perform the same coherent half-hour, hour-long show that we saw in the ’90s perform,” Marks said. “Because that’s not how people consume media anymore.”

While people enjoyed sketching TV shows when that was the only way they could consume them, YouTube allowed them to skip 22-minute shows to find their favorite sketch online, hurting streaming ratings.

This meant that even shows that could still go on air were decimated by their success. Aurora Brown The Baroness Von Sketch Show Canadian sketch series Incredible social media Virality dwarfed their broadcast ratings – she explained in an interview that her son-in-law thought it was only an online show.

“I emailed my family afterwards saying, ‘Just so you know, there’s a whole show,” Brown said.

Aurora Brown, Carolyn Taylor, Meredith McNeil and Jennifer Wallen starred on CBC’s award-winning Baroness von Sketch Show for five seasons. (CBC)

Online drawing boom and depression

But some managed to make it, and it led the diagram into its second golden age.

Saturday Night Live, the late-night series from Canadian television producer Lorne Michaels premiered in 1975. In October last year, the second episode of the 47th season of SNL—with host Kim Kardashian—brought 5.27 million viewers, according to The Hollywood Reporter.

Marks says SNL has become a major milestone for US shows, “and that’s the thing that all the chart shows themselves compare to. They’re either trying to be the new SNL or they’re rewriting the rules of what SNL has already done.”

DC Pearson, center, appears alongside Donald Glover, right, and Dominic Dirks in their theatrical film Mystery Team. The group formed the Internet Drawing Group Derrick Comedy, one of the pioneers of Internet drawing. (roadside attractions)

D.C. Pearson, founding member of Derrick Comedy — better known as the group where musician and actor Donald Glover got his start — explained that while they found fame on YouTube, that was never their goal. When they started in 2006, in the early days of YouTube, there was almost no map to build a career and make consistent money on the platform, so they primarily used it as a way to highlight their work, rather than an endpoint or career on the platform. king.

The Internet has attracted a great deal of interest in sketch comics, but it has almost undermined the entire presentation of drawing – the pot of gold at the end of the rainbow for drawing sets in the past.

He said, “It’s like drawing like getting lost, but he won.”

And then once the boom started – after the birth of everything from the British Eagles turn people into horsesderek Girls shouldn’t be trustedto Picnicface’s power hungry (Canadian online sketch group, later received a sketch show that was canceled after one season) – it’s over.

After a while, the platform couldn’t handle the huge number of layout groups all trying the same thing, and it became impossible to reach audiences who didn’t feel like delving into the abundance of content.

“The golden age of Internet painting, when the most foolish ideas could have arrived at eight-figure landscapes, is clearly over,” it reads. Wired article from 2018. “To put it in Monty Python terms, the internet drawing is the parrot at the bottom of the cage: it’s hard to tell if it’s dead, or simply stunned. But it sure is flat on its back.”

Watch | Schematic comedy renaissance:

Drawing comics riding the wave back

With the revival of The Kids in the Hall, theatrical comedy appears to be making a comeback in an era where young comedians are turning to audiences on social media.

Now on TikTok

In recent years, it has begun to come back. Canadian TalboysProduced by Bruce McCulloch of Kids in the Halls, it ran for three seasons, as did HBO. View a drawing of a black lady. in another place, I think you should leave And Ziwi They’ve come up with a way to leverage their social media presence for sustainable performances by crafting a single, identifiable character that keeps audiences coming back for more content.

Pearson says real place planning has thrived, both on the internet — on video-sharing app Vine when it was around, and on similar app TikTok now. Comedy on the app, which already Radically change how the music industry workscontrolled by a single user performing a skit for multiple people by pointing their phones at themselves.

This is a sketch, says Pearson – even if people aren’t aware of it.

“People who see the movie probably don’t know it’s a sketch and the person filming it probably won’t describe it as a sketch,” Pearson said. “But he painted.”

Watch | Newfoundland teenager Tyler O’Dea on crafting comedy for TikTok:

Newfoundland teenager Tyler O’Dea talks about crafting comedy for TikTok

Newfoundland member Tyler O’Dea is only 16 years old, but he already has over 1 million followers on TikTok. He explains the type of comedy that works there and argues that drawing is his special and important field.

One such creator is Tyler O’Day from Newfoundland. The sixteen-year-old has amassed a TikTok following of over a million in just over a year and a half by performing skits, although he only casually thinks of himself as a comedian.

“I would say I call myself a sketch comedian, but a different kind of sketch comedy than like This watch has 22 minutes or things like that. “A subgenre of schematic comedy.”

O’Dea is currently not making any money from the app – TikTok’s The Creators Fund is not available to CanadiansHe’s too young to be involved – but he sees a future in it.

Because, instead of being a starting point, drawing became an end in itself.

“I think theatrical comedy is not just a gateway to comedy. I think it’s a real branch of comedy, and you can make your career out of that as much as you can by standing up or writing or whatever.”

2022-05-21 08:00:00

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